Friday, 15 October 2010

Who uses Echo Echo Dance Studio?

It’s been a busy start to autumn for Echo Echo. Our weekly dance projects and classes have plenty of new participants and some familiar faces. All with one common purpose: to dance and move.

Echo Echo Dance Studio has been booked solidly throughout 2010. Earlier in the year when the company was touring Ripple Affect, preparing for The Chess Piece, and continuing its wide range of education programmes, we could easily have programmed two or more dance studios.

The past few weeks has seen another surge in studio bookings with rehearsals starting from 9am most days and going on until after 8pm. In fact until past midnight a few times this week! People who aren’t familiar with the company may wonder, who is using the space?

The Echo Echo team has expanded over the last two years to include local emerging dance artists, University of Ulster Dance graduates, and trainee placements. Currently up to 12 people meet regularly at our company team meetings, this is additional to our independent Board of 7 people. Since Steve Batts took up the full-time position of Artistic Director last year (he had previously carried this post out voluntarily for many years), developing the company ensemble has been a top priority.

For young emerging artists, and particularly dancers, it is difficult to make the step from being a participant or student to taking oneself seriously as a professional artist. There remains a ‘cultural cringe’ towards risky, innovative work in all artforms here, particularly dance and movement practice. There is a lack of participation and audience for many artforms locally despite the best efforts of many people and organisations, competition with the cultural vacuum of TV talent shows and binge drinking. There are financial risks and young people are often advised not to choose the arts or 'creative industries' as a viable career option. Often the best local talent forms part of the cultural ‘brain drain’ to the UK and further afield.

Echo Echo Dance Studio is making a difference here. It allows Echo Echo to support dance artists who wish to live here, both emerging and established, by providing space to research, develop and create new work, to practice and rehearse, to show and perform. The company provides additional support by mentoring and guiding young artists, and by providing an insight into arts administration, funding, PR and career orientation.

We are currently seeing the fruits of this with the company ensemble. Local dancers making a serious commitment to their artform, spending many hours alone or with other artists working in the studio, developing and creating new performance pieces. Most of this time is unpaid, voluntary time that gets little recognition outside the company, but it is a valuable investment by these individuals in themselves as artists and people, and in Echo Echo as a company.

Upcoming performances by some of the company will include participation in Belfast Festival Trilogy event, performance at the Playhouse ICAN conference, Free Flight at Crescent Arts Centre on 30 October, Interactions (featuring a range of performances by the ensemble) at Waterside Theatre on 17 November. An extensive range of performance and touring is in development for 2011.

Echo Echo’s professional and artistic programme is symbiotically related to its education and participation programme. This is unusual among many dance companies, particularly in England for example, who focus on performance, and often consider dance education as a later and not integral part of a dancers practice and career.

Our company ensemble participate fully in teaching and education projects for all ages and abilities, at Echo Echo Dance Studio and in outreach projects in schools and organisations throughout the northwest and further afield.

Currently projects taking place in the Studio include classes for toddlers aged from 1 year old (with their parents) to children’s classes (5-7's fully booked this term), youth dance projects, several regular adult classes and weekend workshops, and partnership projects with organisations like Autism NI, WEA, and many local schools to name but a few happening just now.

Other regular activities in the studio include a range of yoga classes for different ability levels with local yoga teachers. Participation in yoga and other movement forms including pilates and tai chi has grown significantly recently and over 120 people now come through our doors for yoga each week.

In addition to all of this Echo Echo runs an extensive outreach dance and movement programme. The company has worked with over 20 schools throughout the province over the last 2 years. Projects include extended schools programmes, creative weeks, integrated education weeks and performance work, often specifically related to the Revised Curriculum.

Other outreach partnership projects with organisations including Downs Syndrome Association, Cedar Foundation, Derry Travellers Association, Open Arts and Glasgowbury, to name but a few, have received excellent feedback. The company is developing new projects and partnerships all the time.

Echo Echo Dance Studio allows our artistic team space to develop, prepare and rehearse for every one of these outreach programmes, and a place to come back, review and improve our practice.

From April 2009 to March 2010, the total number of attendances to Echo Echo activity at the Dance Studio and in the community was in excess of 20,000 people.

Echo Echo is a registered charity and without core funding from Arts Council NI, and project funding from other key supporters, the Echo Echo Dance Studio would simply not be viable; many fewer people would take part in dance activity here; and the artistic development of the company ensemble, that is crucial to creating innovative art and inspiring audiences and participants, would be greatly hindered.

I am urging supporters of the arts to sign the petition at I Value the Arts, your voice is important.

If you are interested in finding out more about Echo Echo please get in touch, we would love to hear from you.


Ailbe Beirne

Company Manager


Thursday, 30 September 2010

Dance Course for Children with Autism



Echo Echo Dance Theatre Company, partnered with Autism NI's Foyle Parent group, have organised an 8 week dance and movement course for primary aged children with Autism.

Echo Echo and the parents group have been working together for a year to develop an ongoing course designed specifically for those children with autistic spectrum disorder, their parents and siblings.

The weekly classes have been a great success and are well supported by three of Echo Echo's experienced tutors. One parent said: "through the dance I got eye contact with my son."

The 8 week course starts Thursday 7th October at 4pm and costs £25 for the full term.

If you have a child with Autism and would like more information, please contact Sarah Young, Echo Echo Development Officer on 028 7134 2266 or email sarah@echoechodance.com

Wednesday, 8 September 2010

Arts Funding Campaign

The National Campaign for the Arts website has been redesigned and the campaign is gathering pace ahead of a National Day of Action on Friday 17th September and Culture Night in 20 Irish cities, including Derry, on Friday 24th September.

While the arts and cultural sector in the north is well aware of imminent, swingeing cuts, the arts in the Republic have already been devastated by last years draconian cutbacks.

The value of the arts for all elements of Irish society must be communicated as widely as possible and to the key decision-makers.

Have a look, register your support, and tell your friends.



Tuesday, 31 August 2010

Hoping to tour in 2011

So the quietness of summer is leaving the office and the new programme is about to get underway. Keep an eye out on our website for the full details.

We are also hoping to tour the beautiful Ripple Affect in Europe in 2011. Watch the short clip below for a refresher. If anyone knows of any festivals or venues that might be interested, let us know.

We can't wait!

Thursday, 26 August 2010

Two crazy days at Edinburgh Fringe!

I’ve been meaning to go to the Edinburgh Festival Fringe for years and 2010 was the year I eventually got to do it. I only had two days and was a woman on a mission to see as many shows as I could. After a lot of Internet trawling for tips, I had a list of 15 shows that caught my eye. 15 from over 3000 wasn’t bad editing but I knew 15 in 2 days was impossible….

Saturday morning- 6am start for the early flight to Edinburgh. We were staying with a friend in the old town, not far from the Grassmarket, which was a perfect location to get around. As a ‘local’ and regular festival-goer, he helped us avoid any tourist traps. First one- book tickets online. He warned of the serious queues at the Fringe box office and it worked out really well as we quickly picked up our pre-paid tickets at Fringe HQ on the Royal Mile before 12pm.

Another thing to keep in mind- be prepared to walk! Thankfully I had brought comfortable shoes but even those began to pinch my toes by the end of day one.

So I thought I’d tell you about the shows that I managed to get to but I wanted to frame it with one very important point- I am not a critic. Any of these thoughts are just my own feelings, opinions…or ramblings.

My first show on Saturday was Derevo’s Harlekin at the Pleasance Courtyard venue. That place had I’m sure 8 venues within it and was buzzing with people eating lunch, having a cool beer or queuing for a show.

The popular St. Petersburg Company drew a big crowd and I loved their set, costumes and lighting. I really enjoyed the first half of the production. The two ‘puppet’ characters were interesting and performed beautifully, with some great movement and comedic moments. However, the early morning start began to make my eyes heavy and I got a little lost in the narrative after 40 minutes.



Next on the list, I made my way to Dance Base. I was really looking forward to seeing inside the venue as I’d heard a lot about it. It has an unassuming entrance but with the ‘Love Dance’ banner above it, I was sure it was the right place.

The second show was Velocity, a double bill with Daghda Dance Company and Pair Dance. This show was one of 11 curated by the Dance Base team. Daghda’s Standing in Ink was a soft, intimate duet. The movement was interesting but I think the content was a little too open for me. It was juxtaposed with Rush- a complete change in pace as the dancers sprinted back and forth across the stage. The energetic quartet amazed with their technique and muscle but the best part was a short duet in the middle by David Gellura and Ayano Honda.




From Dance Base, I met up with my fiancĂ©, Alan and our host Stuart to rush over to a new venue, Assembly @ Princes Street Gardens, to watch Julien Cottereau: Imagine Toi. I had heard about this show from watching a Scottish Dance Theatre video blog and am so glad I made the effort to go. French clown and mime extraordinaire, Julien’s show was pure class. The sounds that he created had most of us wondering if they were special effects, and his movements were so real, so fluid and of course hilarious. He invited us into his imaginary world where in fact we all fitted in quite well!



At 5.30pm, I had time to relax so we had a beer outside the venue where they had live music. It was a well-earned break before making our way to another corner of the city for Scottish Dance Theatre’s show The Life and Times of Girl A at 7pm. The show was at Zoo Southside and as we made our way, the raindrops began to fall. Using my fringe guide as cover, we upped the pace and got to the venue just in time for the start.

I wasn’t sure what to expect from SDT, I had thought it would be very ‘dancey’ or typical UK modern dance style but it surprised me. The female lead, Solene Weinachter was excellent. I warmed to her immediately and followed her as she asked us with her romantic french accent to ‘imagine this is a film’. She was humorous, feisty at times and vulnerable at others and I really enjoyed her story. The dance felt a little supplementary to the theatre and at parts, didn’t make sense to me. The airport scenes with Solene directing the dancers were lovely as was her storytelling but I was a tiny bit disappointed with the ending.

After dinner, another walk and a few drinks, we made it to a comedy show at the Underbelly venue on Cowgate. Touted as the Best of Scottish Comedian of the Year, it was just ok for the £11 ticket. It finished after 12 and once we got to bed I passed out with exhaustion!



So day two- and after galloping around Edinburgh and watching 5 shows the day before, I was happy to take Sunday a bit easier.

We had planned to see Liz Lea Dance at Dance Base at 1pm but when we arrived, it became obvious that we should have pre-booked our tickets as the queue was too long for the foyer to hold it. Instead we made sure to book tickets for N.I’s very own ponydance for that evening.

This gave us the afternoon to do a bit of shopping and grab some lunch before No Fit State Circus began their Tabu show at 5pm. The big top was filled with confused audience members as we suddenly realised there were no seats. The action happens all around the audience, which at first frustrated me because at 5 feet 4 inches (just about), I was too short to see what they were doing when the performers were on the ground. However, a lot of the show was aerial work and meant that everyone had a good viewing angle. As a positive to the more informal set up, it meant that we had a strange feeling of warmth and ease with them walking amongst us. Their tricks and skills were fascinating and it is a great Fringe spectacle show to see. I did find myself getting a bit restless during parts- mostly due to sore feet and tiredness though.



After Tabu, we had dinner and got ready for our final show of the festival- ponydance’s Where did it all go right? Having helped with the marketing committee at the Pick n Mix Festival in Belfast last year I was interested in their quirky work but missed their show. I’d also bumped into Ryan O’Neill (Ryan performed in Echo Echo’s The chess Piece) a few times at Dance Base over the weekend and wanted to see him perform.

ponydance were great, all four dancers had me in stitches from start to finish. Alan and I had front row seats that meant we had a great view but it petrified him to be so close in case it involved audience participation (which it did of course!) The venue was perfect for the show and the show was perfect for the fringe.

ponydance ended our festival trip on a high and after a hectic two days, we were glad to get home. It was a fantastic experience and has inspired me on many levels, not least to maybe see Echo Echo there again soon.

Wednesday, 21 July 2010

UK City of Culture Success!




Just a quick well done and pat on the back to all involved in the bid for Derry-Londonderry to become the first UK City of Culture in 2013. There was a lot of work behind the scenes so congratulations!!

Echo Echo is looking forward to seeing what happens and to getting the opportunity to show our artistic talents to a wider audience, as well as learning from other artists- in the city and beyond.

Exciting times ahead!